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At its debut at the 1955 Paris Motor Show, the Citroen DS didn’t just raise a few eyebrows; it genuinely stunned its audience and set a new benchmark for automotive design in the post-war, space-age era, introducing engineering and aesthetic breakthroughs that influenced designers and engineers for decades to come. No wonder 12,000 advance orders were taken.
It got its futuristic good looks from designer Flaminio Bertoni, while the French aeronautical engineer André Lefèbvre styled and engineered it.
The Paul Magès-developed hydropneumatic suspension might appear complex but it is actually easily understood. Comprising an engine-driven seven-cylinder axial pump that pressurises a high-pressure regulator and six-nitrogen-filled spheres, the result is a ride that was akin to floating on a magic carpet. Ridiculously, you can even remove a rear wheel and the self-levelling system compensates to allow you to drive it as if nothing is amiss.
This bonkers but hugely impressive system also powers the brakes (which were operated by, of all things, a mushroom button), steering, clutch and - we’re not making this up - the gearbox. Only the engine, which was a hemi-head straight-four derived from the Traction Avant, was of a recognisably conservative design.
But the DS didn’t stop there. Oh no. What else? How about dynamic headlights that followed the front wheels around corners and the first European production car to feature disc brakes?
During its 20-year production cycle it won a Monte Carlo rally, lost its roof (the Décapotable), gained an estate rear-end (the Safari) and stretched to seat eight people in three rows of seats (the Familiale). There were also budget versions (ID), ambulances, and even bulletproof government variants as seen in The Day Of The Jackal.







