Background
Post-war America proved a fertile sales ground for European manufacturers. Flushed by the ongoing success of its ubiquitous Beetle, Volkswagen’s ‘new’ Karmann Ghia brought sultry visuals to its older sibling’s humble underpinnings. And my how they sold.
Jealous for some its rival’s North American sales action, Renault went to work on designing its North-American offering. Designed by Frau, the Floride offered similarly humble - Dauphine-sourced - mechanicals, housed in a lovely body that simply screamed Fifties Americana.
Undercutting similar cars by almost 60 per cent, it was an instant sales success. Its 845cc engine was enough to provide a sedately semi-sporting experience (0-60mph took a lengthy 24 seconds!), while returning just shy of 40mpg. That value for money approach, and its charming visuals saw the company’s original 75-per-week production-forecast top 250 in jig time.
In ’59 the name was changed to the Caravelle in honour of the French-engineered twin-engined jet plane. Continually improved it’d eventually house R8 based mechanicals, but in reality it would remain a flighty, engaging car, rather than a performance powerhouse.
We understand that there were relatively few differences between a Floride and a Caravelle, but one we hear anecdotally is that the survival rate of Floride’s is lower because the steel quality used was ‘less optimised’ than the stuff the Caravelle was made out of. Which makes this rot-free AND right-hand-drive example all the more remarkable…







