Background
“Oh Lord, won’t you buy me a Mercedes-Benz?
My friends all drive Porsches, I must…”
In 1970 Janis Joplin would have you think that North America had gone German. It hadn’t. Since ’64 her friends had been driving Ford Mustangs, and by ’68 the Ford Motor Co had shifted an almighty 2,204,038 units.
Lee Iacocca’s brainchild was a marketer’s dream: racy looks, iconic name (and emblem) initial decent puff and options a-plenty. Fancy a handling package? Coming right up, sir! Power-assisted steering? Yes, Maam! Front discs? Air con? Suspension tweaks? You could tweak until your heart desired.
Originally available as a notchback coupe or convertible, the achingly pretty Fastback 2+2 (with that defining raking roofline) joined the pony party in 1965.
The Blue Oval guys and gals knew it had a winner and its unspectacular sixes were quickly joined by small and big block V8s and seriously “serious” power. How hairy you wanted to go now depended on your pockets and 101bhp-to-390bhp meant that you could choose powder-puff show pony through to full breed stallion.
Of course, Detective Frank Bulllit’s iconic 1968 turn in a Fastback on the streets of San Francisco cemented that model variant’s place in cinematic history – and it’s one that continues to resonate to this very day.







