1963 Rolls-Royce Silver Cloud III

58 Bids
8:21 PM, 13 Sep 2021Vehicle sold
Sold for

£43,250

Background

‘You look at a Bentley, but you look inside a Rolls Royce’, says American TV chat show host and committed petrolhead Jay Leno. He may have a point but if you asked and car loving primary school child of the Sixties or Seventies to draw a Rolls Royce, there’s a very good chance they’d produce something that resembles the Silver Cloud.

This is the car that catapulted Rolls Royce to world-wide fame and success. The Cloud replaced a thoroughly outdated car, the Silver Dawn, which came out after WWII, when there wasn’t much good steel around and no money to invest in new design and technology, which meant that not only did it look like it came out in 1936, it also didn’t have an automatic gearbox. So the Americans weren’t interested.

The Silver Cloud, on the other hand, had power-steering and electric windows (with nylon gears to make them silent), an automatic the Americans themselves had engineered (it was built by GM), and a sweeping design that was quintessentially, beautifully 1950s English. The Cloud was released in 1955 and sold until 1966 over three generations, the I, II, and III. As you’d expect the final Mark III example was the most refined, after almost a decade of incremental improvements had been made to the model.

The beauty of the Silver Cloud series was its versatility. They were built as body on chassis construction which allowed coachbuilders to create highly bespoke vehicles of distinction. Clouds have stressed steel bodies fitted with aluminium doors, bonnet and boot lids.

The first cars came with a 155bhp 4.9-litre straight-six which always struggled to lug a 2.3 ton car around, and the need for a new engine was recognised by Rolls in the early 1950s – its development began in 1952. The result was a series of V8 engines known as the L series, more specifically the L410, for its bore size of 4.1 inches.

Introduced in 1959 the Rolls-Royce/Bentley V8 was rumoured to be an American engine design licence-built, but it was in fact developed in-house by Rolls-Royce and Bentley engineers. This can be seen in its design characteristics, with features such as an aluminium alloy cylinder block with wet liners, gear-driven camshaft, (initially) outboard spark plugs and porting inspired by the Rolls-Royce Merlin V12 aircraft engine, of Spitfire and Lancaster fame.

Initially fitted in the Silver Cloud II, it was improved when the Mk III version was released in 1963, with a raft of upgrades including a nitrided crankshaft (there were issues with early Series II models breaking cranks), better SU carburettors, a higher compression ratio (9.0:1), and a weight reduction of over 100 kilograms (220 lbs).

As a result of these changes this model was the fastest of the Silver Clouds – Rolls-Royce famously never listed horsepower figures for their cars, deeming it crass, but they did note that the Silver Cloud III was 7% more powerful than the preceding model.

Aside from the impressive engine, the Silver Cloud III included additional refinements from the previous two series, including the instantly recognisable quad headlamps, and a slightly lower bonnet and radiator grille.

Inside the Mk III opulence abounded. Hand-polished wood veneers accented the dash and door capping rails. It took at least eight invisibly joined slivers of wood to make the veneers. The craftsmen spent hours carefully building the veneers, then created a pattern that no two cars shared. It then took hours of hand-polishing following the lacquer that makes the wood shine like glass. The veneers were mirror-matched to reflect the opposite side of the cabin. (A piece of the veneer is kept on file in the event the original is damaged.)

It took up to 10 perfectly matched Connolly Brothers hides to create the upholstery for a Silver Cloud, and the same leather was used to pipe the carpets. Hand-cutting, hand-stitching and finishing was done painstakingly slowly. Underfoot were carpets most people couldn’t afford for their homes, let alone in a car – hand tufted Wilton wool.

The Silver Cloud III has a stately demeanour associated with its exterior design. Every curve, and each contour is done completely by hand and eye. It took anywhere from six to eight months to build just one car. Before the bodyshell received its first coat of primer, a craftsman did nothing but study the surface by hand. Then, after the first coat of primer was applied, a different craftsman would hand rub the body, circling imperfections with a grease pen. It took over 55 hours just to prepare the naked steel body for painting.

The classic radiator grille was built completely by hand using the same technique as was used to build the Parthenon in ancient Greece. A process called entasis was used to make each line in the grille look perfectly straight, when in reality each is actually slightly bowed. It took one man almost an entire day to solder the almost invisible joints between each of the eleven pieces of hand formed stainless steel that form the main structure of the grille, after which the assembly was polished for up to five hours.

There were 2,044 Silver Cloud IIIs built as standard saloons, 206 long wheelbase variants, and 328 coach built versions. These custom-crafted coach built cars consisted of coupés, convertibles, hearses and limousines.

  • SEV435
  • 98729
  • 6,250
  • Auto
  • Tudor grey over dark green
  • Green
  • Right-hand drive

Vehicle location
Bonhams|Cars Online HQ, Oxfordshire, United Kingdom

Background

‘You look at a Bentley, but you look inside a Rolls Royce’, says American TV chat show host and committed petrolhead Jay Leno. He may have a point but if you asked and car loving primary school child of the Sixties or Seventies to draw a Rolls Royce, there’s a very good chance they’d produce something that resembles the Silver Cloud.

This is the car that catapulted Rolls Royce to world-wide fame and success. The Cloud replaced a thoroughly outdated car, the Silver Dawn, which came out after WWII, when there wasn’t much good steel around and no money to invest in new design and technology, which meant that not only did it look like it came out in 1936, it also didn’t have an automatic gearbox. So the Americans weren’t interested.

The Silver Cloud, on the other hand, had power-steering and electric windows (with nylon gears to make them silent), an automatic the Americans themselves had engineered (it was built by GM), and a sweeping design that was quintessentially, beautifully 1950s English. The Cloud was released in 1955 and sold until 1966 over three generations, the I, II, and III. As you’d expect the final Mark III example was the most refined, after almost a decade of incremental improvements had been made to the model.

The beauty of the Silver Cloud series was its versatility. They were built as body on chassis construction which allowed coachbuilders to create highly bespoke vehicles of distinction. Clouds have stressed steel bodies fitted with aluminium doors, bonnet and boot lids.

The first cars came with a 155bhp 4.9-litre straight-six which always struggled to lug a 2.3 ton car around, and the need for a new engine was recognised by Rolls in the early 1950s – its development began in 1952. The result was a series of V8 engines known as the L series, more specifically the L410, for its bore size of 4.1 inches.

Introduced in 1959 the Rolls-Royce/Bentley V8 was rumoured to be an American engine design licence-built, but it was in fact developed in-house by Rolls-Royce and Bentley engineers. This can be seen in its design characteristics, with features such as an aluminium alloy cylinder block with wet liners, gear-driven camshaft, (initially) outboard spark plugs and porting inspired by the Rolls-Royce Merlin V12 aircraft engine, of Spitfire and Lancaster fame.

Initially fitted in the Silver Cloud II, it was improved when the Mk III version was released in 1963, with a raft of upgrades including a nitrided crankshaft (there were issues with early Series II models breaking cranks), better SU carburettors, a higher compression ratio (9.0:1), and a weight reduction of over 100 kilograms (220 lbs).

As a result of these changes this model was the fastest of the Silver Clouds – Rolls-Royce famously never listed horsepower figures for their cars, deeming it crass, but they did note that the Silver Cloud III was 7% more powerful than the preceding model.

Aside from the impressive engine, the Silver Cloud III included additional refinements from the previous two series, including the instantly recognisable quad headlamps, and a slightly lower bonnet and radiator grille.

Inside the Mk III opulence abounded. Hand-polished wood veneers accented the dash and door capping rails. It took at least eight invisibly joined slivers of wood to make the veneers. The craftsmen spent hours carefully building the veneers, then created a pattern that no two cars shared. It then took hours of hand-polishing following the lacquer that makes the wood shine like glass. The veneers were mirror-matched to reflect the opposite side of the cabin. (A piece of the veneer is kept on file in the event the original is damaged.)

It took up to 10 perfectly matched Connolly Brothers hides to create the upholstery for a Silver Cloud, and the same leather was used to pipe the carpets. Hand-cutting, hand-stitching and finishing was done painstakingly slowly. Underfoot were carpets most people couldn’t afford for their homes, let alone in a car – hand tufted Wilton wool.

The Silver Cloud III has a stately demeanour associated with its exterior design. Every curve, and each contour is done completely by hand and eye. It took anywhere from six to eight months to build just one car. Before the bodyshell received its first coat of primer, a craftsman did nothing but study the surface by hand. Then, after the first coat of primer was applied, a different craftsman would hand rub the body, circling imperfections with a grease pen. It took over 55 hours just to prepare the naked steel body for painting.

The classic radiator grille was built completely by hand using the same technique as was used to build the Parthenon in ancient Greece. A process called entasis was used to make each line in the grille look perfectly straight, when in reality each is actually slightly bowed. It took one man almost an entire day to solder the almost invisible joints between each of the eleven pieces of hand formed stainless steel that form the main structure of the grille, after which the assembly was polished for up to five hours.

There were 2,044 Silver Cloud IIIs built as standard saloons, 206 long wheelbase variants, and 328 coach built versions. These custom-crafted coach built cars consisted of coupés, convertibles, hearses and limousines.

Video

Overview

This 1963 Cloud III is in totally original condition, save for radial tyres and an air conditioning system. It’s been in the current owner’s possession for 15 years, during which time it’s been maintained regardless of cost.

The 6.25-litre V8 was thoroughly rebuilt by a Rolls Royce specialist in the 1990s and the General Motors Hydraglide automatic transmission was reconditioned in 2009. A year later the bodywork was stripped back to bare metal and resprayed in the original Tudor Grey over Velvet Green colours at a cost of nearly £12,000.

Exterior

Paint refinishing on a car like this doesn’t come cheap but walking around this elegant old lady it’s easy to see where the eye watering cost of this refurbishment went, as the finish is glass like and flawless. You get what you pay for at a bodyshop, and this is as good as it gets.

The chrome work has a depth of shine you just don’t get on other cars and the towering grille sitting underneath the Spirit of Ecstasy announces the car’s entrance like no other marque can. The Cloud manages to assert its presence with utter authority while at the same time showing no signs of arrogance whatsoever. It simply arrives, and the room falls silent.

Under the centre hinged bonnet the Rolls Royce V8 looks as though it was hung in mid-air and the car constructed around it. This engine bay was designed for a straight six, and it really shows. Just be thankful the silky-sounding engine is in such good condition, so there will be no need to remove it – it looks like a hell of a job.

Interior

Jay Leno may have had a point after all. This is one of the nicest drawing rooms I’ve even been in. The quality of woodwork in a Rolls of this period is second to none – then a bit better than that. The shine is so deep you find yourself staring it at it for minutes at a time – it’s almost therapeutic in its beauty. The dash has been refinished by a Rolls Royce specialist – again at huge cost – and looks like it did the day it left Crewe.

The Wilton carpets welcome your feet (although you feel as though you really should take your shoes off at the door), which sink for what feels like several inches into the hand tufted luxury, until they find solid ground, while the Connolly leather seats make you reach for the Cuban cigars – until you remember you left them in Cuba.

What’s slightly sad about cars such as these is that the people who owned them when new, almost certainly never saw the fabulous view from the driver’s seat – James enjoyed that as he sped his cosseted charges home without sparing the unspecified amount of horses. Lucky old James. It really is a commanding vista, lining up your target with the Spirit of Ecstasy and gently squeezing the accelerator in order to proceed.

Mechanical

This is a bit like walking around the basement of an ancient building. The separate chassis is thoroughly sound and all exposed steel has been treated to a decent coating of underbody protection. There are a few very small areas that could do with some more wax applying, but there’s no corrosion other than some very fine surface marks here and there. This Royce is ready to roll.

History

There is an absolute wealth of paperwork with this car, detailing the vast expenditure that’s gone into keeping it in this condition for the last 58 years, including details of all the major work carried out – the bodywork refurbishment, engine and transmission rebuilds, dash refinishing etc.

Old MoTs, old tax discs, service manuals and handbooks – it’s all here.

There are also details of the car’s secondment to the USA: it was exported to Nebraska in 1974 and stayed there for 16 years, before returning to England in 1990.

Summary

A rare chance to own a stone cold motoring icon in absolutely beautiful condition, with no fears about it needing any major work at all for many years to come. And remember, the quality will remain long after the price is forgotten.

Our estimate for this car is £29,000 - £39,000.

Viewing is always encouraged and as stated this car is located at THE MARKET headquarters near Abingdon; we are open Mon-Fri, 9am-5pm and to arrange an appointment please use the ‘Contact Seller’ button at the top of the listing to make an appointment. Feel free to ask any questions or make observations in the comments section below, or try our ‘Frequently Asked Questions’.

About this auction

Seller

Private: Keith Whitehead


Viewings Welcome

Viewing is strongly encouraged, and is strictly by appointment. To book one in the diary, please get in contact.

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