Background
The delightfully named Erich Waxenberger couldn’t wait to get started on his chosen career path. He was a car man through and through having come from a family of DKW dealership owners. As soon as he had passed his last engineering exam Waxenberger joined Daimler-Benz's Passenger Car Testing division. It was 1953 and his timing was perfect. He became immediately involved with pre-production testing of some of the most revered Mercedes-Benz models such as the W198, the W121 Roadster and Gullwing as well as the iconic W113 SL “Pagoda.”
Waxenberger thrived at Mercedes and soon he was a key player in the test and development functions of the firm. Consequently, he was well known to the German automotive press from whom he suffered a good deal of ribbing about the "grandpa cars and taxis" Mercedes were best known for in Germany at the time. Waxenberger explained in 1999 that “the idea came from a German journalist who told me I was getting old, building Granny cars. I decided to show him and ordered up an SEL body rejected from Sindelfingen. We put the 6.3 V-8 into that.” The V8 in question was the M-100 single overhead cam unit that was introduced in 1963 to power the company’s flagship – the mighty 600.
Luckily Waxenberger’s boss tried the W109 SEL prototype and loved it and in 1968 the 300SEL 6.3 was launched to become the first in an illustrious lineage of Mercedes Q-car saloons. The 6.3L saloon did better than anyone expected, too, with a total of 6,526 being sold worldwide. Such was its success that when the W109’s successor, the W116, arrived in 1972 a high-powered V8 version was already in the works.
The W116 450 SEL 6.9 was presented to the public at the Geneva Auto Show in 1974. The mighty M-100 V8 had grown mightier still with its bore increasing from 103 to 107mm to now displace a Pony car shaming 6,834cc. The 6.9 sat in the nose of the long wheelbase version of the W116 which now boasted the full version (front and back) of Mercedes’s Citroen aping hydropneumatic self-levelling suspension. Of course, Mercedes couldn’t resist “improving” on the Citroen system by adding separate pumps for each pneumatic circuit allowing for “additional redundancy!”
The 450 SEL 6.9 was widely feted and universally praised for how well it went but also cornered for such a big car. This reputation was emphatically underscored when French film director Claude Lelouche finally revealed that he used a 450 SEL 6.9 to film his iconic 8-minute film “C'était un rendez-vous.” This breakneck dash through tight Paris streets had the soundtrack from a Ferrari 275 GTB dubbed over it to suggest that was actually the wieldy sports car used.







