Background
What do Nikon camera bodies, pasta shape, "Marille,” Seiko chronographs, the organ of the cathedral of Lausanne and Alfa Romeo’s 105 and 115 series coupés all have in common? Give up? A share of the design genius of Giorgetto Giugiaro, is what. For car folk, Giugiaro probably needs no introduction. His “Car Designer of the Century” award in 1999, his induction into the Automotive Hall of Fame in 2002 and his winning of the Compasso d'Oro industrial design award no less than six times tells you all you need to know, if not.
Giugiaro started his career with Fiat’s Special Vehicle Deign office in 1955. By 1959 he had joined Nuccio Bertone’s Carrozzeria Bertone. Bertone had forged a great relationship with Alfa Romeo harking back to the Berlinetta Aerodinamica Tecnica (BAT) concept cars which explored the envelopes of car design and aerodynamics, starting with the BAT 5 in 1953. No surprise then, that Alfa turned to Bertone to design their new range of 105 series coupes. Who better to tackle the challenge than new boy Giugiaro making the coupes his first major project for Bertone.
The Alfa Romeo Giulia Sprint coupe debuted in 1963 on the new 105 Series wheelbase. Such a design masterpiece it was, that it ultimately stayed in production for 14 years free from any significant changes. Whilst the styling remained ostensively unchanged, the same could not be said of the power train. The cars started with 106bhp from a 1,570-cc DOHC four-cylinder engine. The “1750” came along in 1966 boasting 130 bhp from the enlarged four-cylinder unit. 1971 saw the arrival of the Alfa Romeo 2000 GT Veloce, or “GTV.” Despite power not increasing over the “1750,” there was more low-end torque on tap making the 2000 an eminently drivable car and probably the pick of the litter for most in the Alfa Romeo know.








